Friederike Röpke

03 GRAPHIC REPRESENTATIONS

Unlike oil paintings, graphic portraits are far more mobile and often produced in high volume. They can be sent out, bound into books and collected. The exhibited series of mezzotints show portraits of scholars from Göttingen who, between 1741 and 1755, were featured in the book “Bilder-sal heutiges Tages lebender und durch Gelahrtheit berühmter Schriftsteller” […]

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11 IMAGE

Professors at the University of Göttingen today are the “big bangers”, role models, air rescuers, molecular chefs, trainers of the next generation and messengers of the gods. Life-sized, in casual clothing and with the objects of their research in action, these scientists – three women and three men – allow the public insights into their

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09 CARICATURES

Out of caricature comes critique. Unlike commissioned portraits, the people portrayed have no control over their portraits but instead have to face graphic attacks on their person. By means of exaggeration and accessories, specific characteristics are highlighted and ridiculed. A CRITICAL VIEWSince the 19th Century, there is an increasing number of amateur caricaturists. In universities,

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08 AMATEURS

With the rise of amateur photography, the occasions for taking photographs became less formal. This also applied to the academic field. Institute celebrations, trips and even carnival parties offer popular motifs for photo opportunities. This trend can also be witnessed in the people photographed. They appear to be a lot more relaxed, are shown having

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06 POSTCARDS

Postcards are a medium of the masses. Irrespective of existing differences in class and status, they were bought, written on, send and collected by the millions. It is not by coincidence that the rise of the postcards occurred around 1870. This was the time that a market for mass media products such as the press,

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FACE THE FACT – SCIENCE IN PORTRAIT

Science has many faces. We encounter them in oil paintings, medals, graphic representations, photographs and sculptures. There has been a culture of portrait painting at the Georgia Augusta since her founding in 1737. The portraits of Göttingen professors from various collections of the University that are exhibited here make clear: portraits narrate the scientific world

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